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dc.contributor.authorCappelen , Birgitta
dc.contributor.authorAndersson, Anders-Petter
dc.date.accessioned2013-01-29T12:46:34Z
dc.date.accessioned2015-11-19T14:29:19Z
dc.date.available2013-01-29T12:46:34Z
dc.date.available2015-11-19T14:29:19Z
dc.date.issued2012
dc.identifier.citationLeonardo Electronic Almanac 2012;18(3):130-139
dc.identifier.issn1071-4391
dc.identifier.urihttp://hdl.handle.net/11250/2364862
dc.description.abstractIn this paper we present and discuss the empowering potential of re- staging interactive art installations. We build on an approach, where we divide the staging process into four levels of staging (potential, strategic, tactical, dynamic), and in Umberto Eco’s sense of openness, to four categories of choices (genre, temporal, spatial, actorial) to perform on each staging level. We present and discuss how we staged one of our interactive installations at a museum of modern art and a rehabilitation center for people with severe disabilities. We discuss our staging experience in relation to empowering qualities like; possibilities for self- expression, vitalization, ability to act, co-create, participation and mutual relation building. Our experience was that re-staging art at a radically different place became a provocation that re-vitalized us as creative individuals.
dc.language.isoeng
dc.titleThe Empowering Potential of Re-Staging
dc.typeJournal article
dc.date.updated2013-01-29T12:46:34Z
dc.identifier.doi
dc.identifier.cristin982033
dc.subject.keywordInteraksjonsdesign / Interaction design
dc.subject.keywordMediekunst / Media-art
dc.subject.keywordMusikk og helse / Music and health
dc.subject.keywordSmarte tekstiler / Intelligent_textiles
dc.subject.keywordTaktile medier / Tangible interaction


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