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dc.contributor.advisorReaver, Kai Justin
dc.contributor.advisorMuller, Sabine
dc.contributor.authorNicolescu, Andra
dc.date.accessioned2019-09-18T12:12:47Z
dc.date.available2019-09-18T12:12:47Z
dc.date.issued2019-05
dc.identifier.urihttp://hdl.handle.net/11250/2617465
dc.descriptionSound as an architectural material. What is the closest I can get to capturing its physical essence? How does sound become space? Through representational experiments an architectural language emerges. This language describes the relationship between sound and the spatial experience it creates; enveloping, surrounding, wrapping, flowing, revealing, curving... These words of «action» inform the geometry of the space. Colors at different opacities are then used to create depth, to sharpen, to blur, to fade, to intensify the presence of sound. Wandering through float is a visual, auditory and bodily experience.nb_NO
dc.language.isoengnb_NO
dc.publisherA. Nicolescunb_NO
dc.rightsNavngivelse-Ikkekommersiell-DelPåSammeVilkår 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/deed.no*
dc.subjectArkitekturnb_NO
dc.subjectArchitecturenb_NO
dc.titlefloat - occupying an existing structure with exploratory sound environmentsnb_NO
dc.typeMaster thesisnb_NO
dc.description.versionsubmittedVersionnb_NO
dc.subject.nsiVDP::Humanities: 000::Architecture and design: 140nb_NO


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Navngivelse-Ikkekommersiell-DelPåSammeVilkår 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Navngivelse-Ikkekommersiell-DelPåSammeVilkår 4.0 Internasjonal