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BYGGESAK 201912777

dc.contributor.advisorLangdalen, Erik Fenstad
dc.contributor.advisorLending, Mari
dc.contributor.advisorRieger, Alena Beth
dc.contributor.authorØvrebø, Sebastian Jørung
dc.date.accessioned2023-02-21T08:02:55Z
dc.date.available2023-02-21T08:02:55Z
dc.date.issued2022-12
dc.identifier.urihttps://hdl.handle.net/11250/3052520
dc.descriptionThus, today’s gift is tomorrow’s commodity. Yesterday’s commodity is tomorrow’s found art object. Today’s art object is tomorrow’s junk. And yesterday’s junk is tomorrow’s heirloom.» Arjun Appadurai, “The Thing Itself”. In face of a building industry which is increasingly occupied with reusing existing buildings and building components, this project aims to investigate practices of reframing monuments and objects already in circulation. With Byggesak 201912777 – Midlertidig oppbevaring av kunstverk – Fiskerne og Måken as a point of departure the project explores how values are attributed to architectural objects through relocation, reproduction and mediation. The research has resulted in a series of entangled investigations which collectively construct ‘The Picasso Boxes’ edifice.en_US
dc.language.isoengen_US
dc.publisherThe Oslo School of Architecture and Designen_US
dc.rightsNavngivelse-Ikkekommersiell-DelPåSammeVilkår 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/deed.no*
dc.subjectArchitectureen_US
dc.subjectArkitekturen_US
dc.subjectFiskerne og Måken (Y-blokka)en_US
dc.subjectRegjeringskvartaleten_US
dc.subjectKunstverken_US
dc.subjectMonumenteren_US
dc.titleBYGGESAK 201912777en_US
dc.typeMaster thesisen_US
dc.description.versionsubmittedVersionen_US
dc.rights.holderSebastian Jørung Øvrebøen_US
dc.subject.nsiArchitecture and design: 140en_US


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Navngivelse-Ikkekommersiell-DelPåSammeVilkår 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Navngivelse-Ikkekommersiell-DelPåSammeVilkår 4.0 Internasjonal