| dc.description.abstract | This thesis makes the case for an architecture that emerges through the process of construction. The research investigates how, within the context of industrialised England from 1830 to 1980, the historic separation between designing and building in the production of architecture developed, and how it continues to define our contemporary building culture. It focusses on the impact of this development on labour and construction, and examines both the agency of those who construct, and the role of the architect, particularly as understood through drawings and related documentation. The research reviews critiques of this ‘partitioning’ and looks at ways in which it has been challenged through alternative models of architectural practice. The research is structured around studies of three buildings sites. I have read the construction of the Great Stove at Chatsworth in the 1830s, to Joseph Paxton’s design, as exemplar of the impact of the factory system and machinery on the production of architecture, with the resulting replacement on site of skilled craftsmen by unskilled labour. Following this, William Lethaby, working within the context of the Arts and Crafts in the 1890s and early 1900s, changed his working methodology, producing fewer drawing before construction, to integrate craftsmen into an ongoing design process at the building site. And from the 1960s onwards, Walter Segal, in developing a radically simplified construction methodology, sought to make designing and building accessible to all. In arguing that architects (and architecture) should re-embrace construction, the temporal process and labour of building, and the creative space of the building site, the thesis proposes – despite all the obstacles - both a political project of renewed agency within the production of architecture, and a parallel revitalisation of the architectural artefact.a | en_US |
