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dc.contributor.authorArnall, Timo
dc.contributor.authorMartinussen, Einar Sneve
dc.date.accessioned2011-04-04T13:56:05Z
dc.date.available2011-04-04T13:56:05Z
dc.date.issued2010
dc.identifier.citationFORMakademisk. 2010, vol. 3 nr. 1, s. 100-122en_US
dc.identifier.issn1890-9515
dc.identifier.urihttp://hdl.handle.net/11250/92974
dc.descriptionOpen Access - This article is distributed under the terms of the Creative Commons Attribution Noncommercial License which permits any noncommercial use, distribution and reproduction in any medium, provided the source is credited.en_US
dc.description.abstractThis article is about the role of film in interaction and product design research with technology, and the use of film in exploring and explaining emerging technologies in multiple contexts. We have engaged in a reflective design research process that uses graphical, audiovisual, and time-based media as a tool, a material and a communicative artefact that enables us to approach complex, obscure and often invisible emerging technologies. We give a discursive account of how film has played an intricate role in our design research practice, from revealing the materiality of invisible wireless technology, to explaining complex technical prototypes, to communicating to a public audience through online films that may fold broader social and cultural discourses back into our design research process. We conclude by elaborating on discursive design approaches to research that use film as a reflective and communicative medium that allows for design research to operate within a social and cultural frame.en_US
dc.language.isoengen_US
dc.subjectInteraction designen_US
dc.subjectProduct designen_US
dc.subjectInteraksjonsdesignen_US
dc.subjectProduktdesignen_US
dc.subjectRFIDen_US
dc.subjectEmerging technologiesen_US
dc.titleDepth of field : discursive design research through filmen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.source.pagenumber100-122en_US


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