| dc.description.abstract | The main approach of this paper is to look at design research from a systems-oriented
perspective. This implies that design research is understood as a dynamic and emergent field
of interrelated or contradicting thoughts, concepts and ideas. The first three sections of this
paper draw cross-sections into the emerging richness in design research as it matures as a
genuine mode of knowledge production. They address some of the positions, concepts, and
discussions going on in the field, arguing that practice research in design is the most central.
The current state is discussed and the relation between design research and other modes of
knowledge production are looked at. A main tendency seems to be that design research is
moving towards greater complexity both in issues and approaches and that Research by
Design is becoming ever more central. Research by Design emphasizes insider perspectives, a
generative approach, operates in rich and multiple layers and relates to real life contexts. The
output is new communicable knowledge that is only found within design practice. The next
two sections of the paper discuss the various possible relations between design practice and
reflection. These span from distant perspectives where design practice is observed by outsider
researchers, looking at practice retrospectively or contemporarily as in case studies, to
participatory research and insider perspectives where the designer-researcher uses his or her
own practice as a means for investigation and a bases and subject for reflection and
knowledge production. The last section proposes the critical application of multiple
perspectives, methods and media in composite approaches to design research. This analysis
does not claim to provide a complete picture, but it suggests a method of looking at the field
of design research in both a more holistic and more specific way. This could be helpful to
position the individual design researchers approach in the complex landscape of design
research. Arguing that ‘traditional sciences’ are very complex and manifold, design research
is in itself a very complex, if not one of the most complex field of knowledge production. The
paper claims that such a complexity demands an equally rich repertoire of interrelated
methods and positions. | en_US |
